@opensoul Thanks for the support!
Category: Charts
In 2009, I shifted my attention a bit towards the establishment of my Hip Hop label Error Broadcast. We had three wonderful artist releases (don’t miss AEED, the ABC beat tape and Shlohmo) and have been working a lot in the background – 2010 will see our first vinyl releases which we are going to [...]
Category: Charts
Time is flying, but 2009 was a good year in Creative Commons music – opposed to the music-lobbying from the global major labels. 2009 was also an interesting year from the political point of view – where I had lots of discussions, not only with music-activists, netculture-lovers, but also with people who formed the still [...]
Category: Charts
Netaudio London, the UK’s foremost festival dedicated to the musical sounds of the Internet promotes the creative output of musicians, who use digital and network technologies to explore new boundaries in their work and actively supports the development of new talent.
Category: Charts
Together with Christian Grasse Roland aka ronsens aka Machtdose is one of the busiest podcaster with an extraordinary taste from calm pop-inspired indiemusic to scrambled IDM to ass-kickin’ techno. Phlow interviewed and portrayed Machtdose last year in an extensive feature. Of course, we were curious to listen to his Top-5-Selection this year. So, it’s christmas [...]
Category: Charts
Creative Commons Music Lover | Catching The Waves was born in a cross-fire hurricane. It reviews free albums from the Creative Commons/netlabel community and the occasional album from the big, bad world of commercial music. CTW is not a comprehensive review of netlabel releases; it is merely a reflection of one individual’s taste in music, [...]
Category: Charts
Over the last year I have often stood in awe at the rich and complex offerings of the netaudio world of artists and labels. This is a warm and wonderful sphere full of immensely talented people. Thank you to mo. and everyone at Phlow for inviting me to contribute my thoughts and reviews, and thank [...]
